![]() ![]() So there’s that kind of “come to Jesus” talk that you have to have with yourself that I had and had with my family. And with half of the songs it’s going to be just that when you play them live. I think you have to (and I’m sure Dylan did as well with Blood on the Tracks) have that moment where you go “if this goes into the world that’s what happens.” It’s going to be an instant “close my eyes straight back to that moment in my life” kind of thing for 10 to 12 songs. RH: That’s a really good point AND question. How do you feel about playing these songs live for the balance of your career, night after night? Seems like an experience you’d rather put in your rear view mirror. GM: Much like Blood on the Tracks, this is largely a divorce album. We were just kind of enjoying the success of the other record! (laughs) You know life happened, and divorce happened, and then this other album just appeared out of nowhere. We had won the Independent Music Awards’ “Album of the Year,” so there was no pressure to put out another album for at least another year. RH: Honestly I didn’t really think about it because that record was still riding high getting the support of some big names. GM: After all of the praise and recognition that you earned with the last record was there a different follow-up that you had begun to map out or that you are currently sitting on? This record seems to have come together quickly. ![]()
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